Reviews
Reviews/Articles
Nordeen, Bradford, “Hal Fischer: Et al. etc.,” Artforum, September 2024.
McCormack, Chris, “Profile, Hal Fischer,” Art Monthly, December 2019–January 2020.
Seward, Mahoro, “The Gay Heyday of 1970s San Francisco,” i-D, 2019–20.
“One Work | Cheap Chic Homo,” TANK Magazine, 2019-20.
Serafinowicz, Sylvia, “Hal Fischer: Project Native Informant,” Artforum, Summer 2017, 370–371.
Judah, Hettie, “Sex symbols: what does a blue hankie in your left back pocket mean?,” the Guardian, March 1, 2017.
Helfand, Glen, “Sex, signifiers and ’70s sensibilities still hold in Gay Semiotics,” San Francisco Chronicle, May 22, 2015.
Getsy, David J., “Catherine Opie, Portraiture, and the Decoy of the Iconographic,” Confronting The Abject, Chicago, School of the Art Institute of Chicago, 33–37.
Wagley, Catherine, “Hal Fischer: Gay Semiotics,” Photograph Magazine, February 17, 2015.
Moffitt, Evan, “Hal Fischer’s Gay Semiotics,” Gayletter, February 2015.
Rosenquist, Patrick, “Sex Symbols,” Frontiers Media, February 2015, 50–53.
Izatt, Mark, “Below The Belt,” Garage Mag, Spring/Summer 2015.
Zellen, Jody, “Continuing and Recommended: Hal Fischer: Gay Semiotics,” ArtScene, February 2015, 13.
Bryan-Wilson, Julia, “Gay Semiotics Revisited,” Aperture, January 2014, 32–39.
Martin, Philip, “Hal Fischer’s Gay Semiotics,” Else, December 2014, 56–61.
Grover, Jan Zita, “The Demise of the Zippered Sweatshirt: Hal Fischer’s Gay Semiotics (1977),” Outlook, Winter 1981, 44–47.
Lurie, Alison, The Language of Clothes, New York, Random House,1981, 260–61.
D’Agostino, Peter and Thomas, Lew, Still Photography: the problematic model, San Francisco, NFS Press, 1981.
Grundberg, Andy, “Not so Glad to be Gay?,” SOHO News, 1980.
Dunham, Judith, “Message on the Skyline,” Artweek, Oakland, October 9, 1979.
“Gay Codes,” Honcho Magazine, November 11, 1978.
Phillips, Donna-Lee and Thomas, Lew, Eros and Photography: An exploration of sexual imagery & photographic practice, San Francisco, NFS Press, 1977.
Murray, Joan, “Reading the Structure of a Subculture,” Artweek, Oakland, August 1977.
Gheno, Dan, “Words & Pictures,” The Santa Barbara News & Review, November 1977.
Murray, Joan, “Shows We’ve Seen,” Popular Photography (New York), February 1977.
Paltridge, Blair, “Warehouses, Tract Houses and the S&M Crowd,” Bay Guardian (San Francisco), August 1977.
Perrone, Jeff, “Hal Fischer, Lawson de Celle Gallery,” Artforum, October 1977.
Hugunin, James and Breazeale, Kenon, “Signifiers for a Male Response,” The Dumb Ox, Summer 1977.
Thomas, Lew, Structural(ism) and Photography, San Francisco, NFS Press, 1976.